Weird Murmur

  Hiron Ennes, The Works of Vermin  (Tor Publishing Group: 2025). Ennes creates wonderfully weird worlds, always described at just the right level of detail. They know what to explain in depth and what to leave for the reader to fill in. The Works of Vermin is a story of a world, its people, and its vermin shaped by art, war, and decadence. Set in a weird Gormenghast-like city of impossible architecture, built on and within a tree over a poisonous river, it is a novel about revolution, remaking the self, and constructing reality. Saturated with heavy ideas dripping like ecdytoxin from teratopods,  this novel respects the intelligence of the reader and leaves space for reflection. Reminiscent of China Miéville’s  The Last Days of New Paris , art itself takes on physical powers of destruction and construction. The city’s opera, statuary, and embroidery not only record history but they make historical facts true.   Open alchemical street warfare between pest ext...

  Robert W. Chambers, "The White Shadow" in The Mystery of Choice   (D. Appleton and Co., 1897). Read the story here on Gutenburg One way that Robert W. Chambers creates mystery is by offering alternate timelines or histories that may be real or merely the delusions of a narrator. These sometimes involve Carcosa, but not always. From “The Repairer of Reputations” to “In The Court of the Dragon” to “The Demoiselle d’Ys,” timeslips drive much of the weirdness in The King in Yellow . Arguably, even in “The Yellow Sign,” temporal anomalies are at work to explain the decomposed body of the church watchman discovered at the end of the story. “The White Shadow” from The Mystery of Choice is a wonderfully weird tale about the liminal space between childhood and adulthood, and between life and death. It is an “Incident at Owl Creek Bridge” kind of story that focuses on the “magic second” before death that expands for the protagonist into a year of experiences. Reading “The White ...

  Nathan Ballingrud,  Cathedral of the Drowned  (Tor Publishing Group: 2025). You might not expect poignant sub-text and strong theme from a novella that includes a washed-up mad scientist, gangsters in the spider silk trade, a giant centipede, and Catholic missions that involve launching cathedrals into space. But Ballingrud delivers on all of this in his pulpy and intelligent sequel to Crypt of the Moon Spider .   Not only do we learn more about the moon spider silk introduced in Crypt , but this is a story about people struggling with their identity when they recognize that the different sides of their personalities and psychologies stand in deep tension with one another. The novella manages to breathe fresh life into the old sci-fi fixture of a collective mind by taking it on in the context of individuals trying to integrate their own fragmented personalities into a cohesive whole. Enjoyable on so many levels!

    Brian Evenson, "It Does Not Do What You Think It Does" in  Good Night, Sleep Tight  (Coffee House Press: 2024).   We have largely shed the Cartesian myth that our own motivations and psychological drives are transparent to our minds. Contrary to the myth, we don’t have indubitable access to our inner mental states, and we often behave in ways that we don’t understand or frequently misunderstand. We think we have one set of reasons for doing something, but it turns out, there are causes and hidden psychological drives that better explain our behavior. Therapy often reveals surprising motivations behind our actions–you don’t do what you think you do! Brian Evenson’s “It Does Not Do What You Think It Does” focuses attention on this phenomenon. What is the “it” in the title that we misunderstand? Tellingly, the man in Evenson’s story hears the answer repeated to himself over and over before interpreting the rest of the phrase; he hears: “YOU.” It is we who do no...

Arthur Machen, "The Happy Children" in The Masterpiece Library of Short Stories , ed. J. A. Hammerton (Educational Book Co: 1920). Read for free here Through its tone and use of description, this story delivers a unique kind of weird creepiness. In addition, the central horror is simultaneously terrifying and non-threatening—a great example of how the very existence of something can horrify even when the thing itself is recognized as something that means no harm. It is worth noting the inspiration that Lovecraft took from this story. Not to diminish Lovecraft, but, in some ways, “The Happy Children” does Lovecraft better than Lovecraft before Lovecraft ever did it!   The description of the old town and the procession to the abbey on the hill is certainly reminiscent of Lovecraft’s “The Festival.” Machen’s story also features impossible geometries folded into architecture and even a gambrel roof makes an appearance!  

  Nebachadnezzar, William Blake (1795) Marcel Schwob, "The Death of Odjigh" in The King in the Golden Mask  translated by Kit Schluter   (Wakefield Press, 2017). Schwob's story can be read through the lens of Thomas Ligotti or Peter Wessel Zapffe, that is, as a work of philosophical pessimism. As the dying world comes to its end, the wolf slayer Odjigh faces his own personal crises of an emerging conscience. Odjigh, by gaining a kind of self-awareness, regrets his role as a hunter and positions himself as an observer and critic standing outside of nature. As he sees the violence around him and pities the suffering of living creatures, he laments existence itself: "Odjigh, deep in his heart, regretted the jigging of the nacreous fish in the meshing of the nets, the serpentine swimming of the conger eels, the heavy gait of the tortoises, the sidelong trot of the gigantic wall-eyed crabs, and the lively yawns of the earthly beasts, hairy beasts decked in scales, beasts...

Meghan Arcuri, "Going, Going" and Adrian Ludens, "Resistant to Change" in  Where the Silent Ones Watch , ed. James Chambers (Hippocampus Press: 2024). In William Hope Hodgson’s novel  The House on the Borderlands , little is said of the Recluse’s sister, Mary, and, in part, it is this absence of information that makes her a fascinating character. The reader can’t help but wonder about the old man’s sister. Two short stories from the James Chambers edited anthology  Where the Silent Ones Watch  pick up on themes of Mary’s story, albeit in two different ways. In her short story “Going, Going,” Meghan Arcuri takes the strange and awkward background role that Mary plays in Hodgson’s work as an opportunity to explore the psychological horror of not being seen. The protagonist of Arcuri's story gives a little away and those around her, particularly her partner, take much, much more. She slowly loses herself and disappears from the view of those around her. It is a cre...