Weird Murmur

Christopher Slatsky, "Professor Cognoscente's Caliginous Charms Carnival" in  The Immeasurable Corpse of Nature  (Grimscribe Press, 2020). Cosmic horror often features sorcerers in possession of powerful, dangerous, cursed, and ancient texts that reveal our lives to be shams and that what we believe to be important is not really important. Those who have glimpsed the secrets discover that we live in a world of shadows, that the real world sits behind our illusions of reality. Such forbidden knowledge, such truths, often drives such a seeker to madness. Sometimes images of stage magic, ventriloquism, and puppetry are invoked to suggest that our sense of reality is just a kind of trick. The subtext is that we live in a world of illusion. We go on with our lives, just playing a role and taking it to be all-so-important, when really it amounts to nothing—a mere shadow of what is truly real. This familiar line of thought expresses a kind of philosophical pessimism that evokes ...

  Stanislaw Lem, Solaris,  1961, translated from Polish by Bill Johnston (2017). Stanislaw Lem’s Solaris is a deeply profound reflection on human psychology, moral obligation to non-human persons, and our naivete concerning the search for alien intelligence. The novel also challenges the very possibility of contact with any alien intelligence that engages the world with a vastly different non-human conceptual scheme and paradigm. It is a fifteen-year-old girl on a tour of the Solaris Institute that sums up the challenge and the failure of the scientific approach to contact. After seeing a film reel of the formation of one of the baffling, beautiful, and complicated structures created by Solaris, she asks, “What’s it all for?”   The question gets to the heart of the problem. The scientists who are so interested in intelligent contact have no answer because their empirical methods and their language of description are not equipped to answer questions of purposiveness and...

Junji Ito, Remina  (Shogakukan and VIZ Media: 2005, 2020). Ito’s work surgically draws a sharp contrast between human-caused horror and cosmic horror. The cosmic horror of this story hits on a grand scale, highlighting our insignificance in terms of time, speed, size, and causal impact. As Remina nears Earth, it remains totally indifferent, utterly destructive, but morally neutral and uncriticizable. But, despite our insignificance, humans cause an immense amount of suffering. Even our loving connections turn poisonous and lead to disaster. This book is horror through and through. It manages to show how vulnerable and insignificant we are and, at the same time, how much terror and pain we have the power to cause. We are immensely horrible, pathetic and feeble. 

  Mark Samuels, "Apartment 205" in The White Hands and Other Weird Tales  (Tartarus Press, 2003). Stories of cosmic horror are often most effective when the specifics of the terrifying discovery (or the collation of the facts) are ambiguous. The reader is typically left in the dark with only a vague hint of what drove a protagonist to lose their mind. We don’t see the horrifying passages in the Necronomicon. We don’t peek behind the veil and see the Great God Pan. We don’t get to read Act II of the “King in Yellow.” There is a good reason for this, as readers, we would almost certainly be disappointed. It is much better to leave the details vague because anything that can be said will undermine the great mystery and the horror the reader injects. These are usually truths that we aren’t supposed to be able to handle anyway! With that said, Mark Samuels pulls off the impossible. He reveals the mind-blowing discovery made by the protagonist in “Apartment 205” and still preserves...