The Last Incantation

 

Clark Ashton Smith, "The Last Incantation" in Weird Tales, June 1930.


Readers of genre fiction are used to encountering the dangers of necromancy. Time and time again, protagonists give in to the strong temptation to bring back a long-dead loved one, only to find “they’ve come back wrong.” From Stephen King’s Pet Sematary, and W. W. Jacobs' “The Monkey’s Paw” to John Langan’s The Fisherman, grief brings out some of the most powerful human emotions. The fantasy/horror fiction of Clark Ashton Smith is filled with necromancers, diabolists, and all types that are into raising the dead. Smith’s short story “The Last Incantation” features an aging sorcerer thinking back to a long-lost love of his youth, but Smith flips the script. The change, the off-ness that is sensed, not only comes from the object of the raising. Particularly if the long years of time and experience have passed, the mourner too has changed, and that change contributes to the experience of wrongness.


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